Swifties have not been disappointed this year with not only the Eras Tour and subsequent movie, but also her dedication to releasing her re-recorded albums, and “1989 (Taylor’s Version)” was no exception. Originally released in October of 2014, Swift’s fifth album was a smashing success as it won many awards including Album of the Year at the 2015 Grammys. This album, which has always been centered around birth, was Swift’s “official” induction into the pop-music genre. So, with this album already representing the idea of rebirth and standing up to critics, there really is no other album of her’s that is more deserving of a re-release. With her latest release already being the top album sold in 2023, it is safe to say she met the high expectations that were set with the release of this defining album.
“1989 (Taylor’s Version)” might not sound different to an average listener, but when hearing the new tracks up against the original ones, we hear major differences in the use and range of vocals. Specifically in blood-boiling bangers like “Out of the Woods” and “Bad Blood,” Swift extends the length of her vocals and the range she uses; showing off her progression as an artist. An enhancement is also audible in the accompanying beats of other uplifting songs such as “Welcome to New York” and “Shake it Off,” which both rely heavily on melody.
We were also surprised by five songs “From the Vault” that focus more on heartbreak. “Say Don’t Go” and “Is It Over Now?” are both perfect examples of Swift’s brilliant ability to tell a vivid story using imagery and provoking language that lots of young people struggling with love can relate to.
“1989 (Taylor’s Version)” somehow comes back better than before, and only builds up the Reputation for what is to come from her re-recordings.
